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Odilon Redon artwork • watercolour • drawing • previously for sale Vrouw en profil

Redon B.-J.  | Bertrand-Jean 'Odilon' Redon, Vrouw en profil, pen, brown ink and watercolour on paper 27.5 x 21.1 cm, gesigneerd linksonder and te dateren ca. 1912

Odilon Redon

Vrouw en profil
pen, brown ink and watercolour on paper 27.5 x 21.1 cm, gesigneerd linksonder and te dateren ca. 1912

This work on paper was previously for sale.

Provenance: Eugène Rehns, Parijs; part. bezit, 1994, part. coll. Parijs.
Literature: A. Wildenstein, A. Lacau St. Guily, M.C. Decroocq, S. Crussard, E. Offenstadt, 'Odilon Redon, Catalogue raisonné de l'oeuvre peint et dessiné', Vol. IV: Études et grandes décorations', Parijs 1998, pag. 120, cat.nr. 2353 (met afb.), afb. in kleur pag. 108; tent.cat. 'Odile Redon: entre rêve et mystère', Gunma/Yagamata/Tokio/Hiroshima 2001, pag. 147, cat.nr. 66, afb. in kleur.
Exhibited: 'Odile Redon: entre rêve et mystère', Gunma, Japan, Museum of Modern Art, 24 febr.-25 maart 2001/Yamagata, Japan, Yamagata Museum of Modern Art, 5 april-5 mei 2001/Tokio, Odakyu Museum, 16 mei-10 juni 2001/Hiroshima, Japan, Hiroshima Museum of Art, 7 juli-19 aug. 2001

Odilon Redon is considered one of the most important French Symbolists. In a suggestive and subjective way, which leaves a lot of room for fantasy, these late 19th-century artists painted dreamlike scenes, arising from their personal experience. The supernatural, religion, literature and music were also a source of inspiration. Symbolist artists no longer focused on capturing reality in their work, but believed that their ideas and emotions could best be portrayed through stylization and abstraction; recognizable elements are also present in the most suggestive paintings. Redon's oeuvre consists of religious, mythological and mystical representations, figures, nudes, portraits, landscapes, still lifes and flowers, often with a dreamlike atmosphere. He mainly made a name for himself as a lithographer; During the first 20 years of his career as an artist, he devoted himself almost exclusively to etching, drawing and lithography. With his fantastic, sometimes macabre subjects, with a strong expression through dramatic black and white contrasts, he created a world of visions, with monsters and other non-existent creatures. It was not until about 1895 that Redon allowed colour into his work and numerous paintings, pastels, emerged, and the gloomy scenes disappeared for friendlier, sweeter subjects. A flowing, clear and original use of colour, in harmonious combinations, in oil, pastel and watercolour, give his paintings a very individual character. Redon's 'dream works' have had a significant influence on 20th-century surrealism.


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