Maris J.H.  | Jacobus Hendricus 'Jacob' Maris | Paintings offered for sale | Romance, oil on paper laid down on panel 30.3 x 23.1 cm, signed l.l. and painted ca. 1860 6191262 Coll.bv

Jacobus Hendricus 'Jacob' Maris

Den Haag 1837-1899 Karlsbad (v/h Oostenrijk-Hongarije, nu Tsjechië)

Romance, oil on paper laid down on panel 30.3 x 23.1 cm, signed l.l. and painted ca. 1860 6191262 Coll.bv

Jacob Maris was a major painter of the Hague School. More than any other artist he was able to capture the silver grey tones of an overcast Dutch day and combine these with dark browns, ochres and a single daub of colour. He painted chiefly landscapes, cityscapes and beach scenes. Influenced by the Barbizon School, he painted directly from nature. He achieved great success internationally and his work was sold in Scotland and the United States.

Price: 7,500

Provenance:

coll. weduwe J. Maris; veiling J. en M. Maris, Frederik Muller & Cie, Amsterdam, 11 maart 1902, lotnr. VII, aldaar verkocht aan A. Preyer, Den Haag; veiling C.F. Roos & Co., Amsterdam, 14 febr. 1911, lotnr. 95, aldaar verkocht aan J. de Vries, 1911; coll. J. Goudstikker, Amsterdam, ca. 1943, inv.nr. 6343; veiling Frederik Muller & Cie, Amsterdam, 20 nov. 1951, lotnr. 315; coll. Pieter A. Scheen, Den Haag, 1952; veiling Paul Brandt, Amsterdam, 4 dec. 1981, lotnr. 138; veiling Sotheby's, Amsterdam, 19 april 1994, lotnr. 220; part. coll. Nederland.

Literature:

tent.cat. Den Haag, Pulchi Studio, 'Eere-tentoonstelling Jacob Maris', 1899, cat.nr. 91; tent.cat. Amsterdam, Arti et Amicitiae, 1902, cat.nr 114; Th. De Bock, 'Jacob Maris. Met 90 photogravures naar zijne werken en zijn portret naar M. van der Maarel', Amsterdam 1902-1903, pag. 9; Jan Veth, 'Portretstudies en silhouetten', Amsterdam 1908, pag. 136 (te dateren ca. 1854-1855); Marjan van Heteren, 'Jacob Maris (1837-1899). Ik denk in mijn materie', Zwolle 2003, pag. 59, afb. 46.

Exhibited:

Den Haag, Pulchi Studio, 'Eere-tentoonstelling Jacob Maris',1899-1900; Amsterdam, Arti et Amicitiae, 1902, cat.nr 114.

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