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Lourens Alma Tadema artwork • watercolour • drawing • previously for sale The kiss welcome

Alma Tadema L.  | Lourens Alma Tadema, The kiss welcome, pen and ink and watercolour on paper 10.7 x 13.1 cm, signed c.l. on the statue and painted 1881

Lourens Alma Tadema

The kiss welcome
pen and ink and watercolour on paper 10.7 x 13.1 cm, signed c.l. on the statue and painted 1881

This work on paper was previously for sale.

Provenance: Geschenk van de kunstenaar aan zijn neef Hendrik Willem Mesdag (1831-1915) en diens echtgenote Sientje Mesdag-van Houten (1834-1909) voor een album, gemaakt ter gelegenheid van hun zilveren bruiloft, Den Haag, 1881; veiling H.W. Mesdag en S. Mesdag-van Houten, Frederik Muller & Co., Amsterdam, 1919, lotnr. 49.
Literature: tent.cat. Den Haag, Academie van Beeldende Kunsten, 'Tentoonstelling van de Hollandsche Teeken-Maatschappij', 1881, cat.nr. 2 (als 'Welkom'); C.J.G. Vosmaer, 'Alma Tadema Catalogue Raisonné', ongepubliceerd manuscript, Leiden, ca. 1885, cat.nrs. 262 en 266; R. Dircks, 'The later works of Sir Lawrence Alma-Tadema O.M., R.A., R.W.S.', 'The Art Journal' 1910, pag. 31 (als 'A Kiss'); Vern Swanson, 'Catalogue of numbered works', pag. 138, in: 'Sir Lawrence Alma-Tadema. The painter of the Victorian vision of the Ancient world', Londen 1977, pag. 138 (als 'A kiss'); Lijst van Tadema's werken in: Rykle Borger, 'Drei Klassizisten: Alma Tadema, Ebers, Vosmaer', Leiden 1978, pag. 12, nr. 224 (als 'A Kiss, 1881'); Saskia de Bodt, Maartje de Haan, 'Erkend en miskend: Lourens Alma Tadema (1836-1912) in België en Nederland', Amsterdam/Den Haag, 2003, pag. 57.
Exhibited: Den Haag, Academie van Beeldende Kunsten, 'Tentoonstelling van de Hollandsche Teeken Maatschappij', aug.-sept. 1881.

Sir Lawrence Alma Tadema, the famous painter of the British fin-de-siècle period, was Frisian by birth. Lourens Tadema - Alma was his middle name - was trained in Antwerp by the history painter Henri Leys. He celebrated his greatest triumphs after 1870 in England, where his perfectly executed genre performances, set in ancient Rome and Greece, matched the taste of the Victorian upper class. For the decor in which he placed his scenes, Tadema made use of contemporary publications on classical antiquity and studied archaeological objects in the collection of the British Museum in London. His watercolor technique was extremely refined. He first drew precise contours and then applied many layers of watercolor to achieve the effect of oil paint. In Holland, where his elaborately edited watercolors contrasted strongly with the transparent landscapes of the painters of the Hague School, the painter could not count on much admiration. At the request of his cousin Hendrik Willem Mesdag, he did take part several times in exhibitions of the Hollandsche Teekenmaatschappij in The Hague, including with this watercolor.


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