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Jacob Bendien artwork • painting • previously for sale A view of the Eerste Weteringplantsoen, Amsterdam

Bendien J.  | Jacob Bendien, A view of the Eerste Weteringplantsoen, Amsterdam, oil on canvas 50.5 x 33.6 cm, painted circa 1927

Jacob Bendien

A view of the Eerste Weteringplantsoen, Amsterdam
oil on canvas 50.5 x 33.6 cm, painted circa 1927

This painting was previously for sale.

Provenance: R. Harrenstein en A. Harrenstein-Schräder, Amsterdam; coll. H. van der Horst, Kampen.
Literature: Amsterdam, Stedelijk Museum, 'Catalogus van schilderijen, beeldhouwwerken, teekeningen en grafische werken, tentoongesteld door de Vereeniging van Nederlandsche Beeldende Kunstenaren 'De Brug'', 1934, zonder cat.nr.; Elina Taselaar, 'Jacob Bendien', Leeuwarden/Utrecht 1985, pag. 45 en pag. 54, afb. 50; Carel Blotkamp, Ype Koopmans (red.), 'Magie en Zakelijkheid: realistische schilderkunst in Nederland 1925-1945', Zwolle/Arnhem 1999, pag. 113, afb. 10 (in kleur), pag. 114, cat.nr. 10; tent.cat. Parijs, Institut Néerlandais, 'Magie et réalisme: tendances réalistes dans la peinture néerlandaise de 1925 à 1945', 2000, cat.nr. 4.
Exhibited: Amsterdam, Stedelijk Museum, 'Schilderijen, beeldhouwwerken, teekeningen en grafische werken, tentoongesteld door de Vereeniging van Nederlandsche Beeldende Kunstenaren 'De Brug', 20 jan.-11 febr. 1934; 'Jacob Bendien', Leeuwarden, Fries Museum, 11 jan.-24 febr. 1985/Utrecht, Centraal Museum, 8 maart-21 april 1985; Arnhem, Museum voor Moderne Kunst, 'Magie en Zakelijkheid: realistische schilderkunst in Nederland 1925-1945', 13 nov. 1999-6 febr. 2000; Parijs, Institut Néerlandais, 'Magie et réalisme: tendances réalistes dans la peinture néerlandaise de 1925 à 1945', 29 maart-28 mei 2000.

Jacob Bendien is one of the first Dutch painters to paint abstractly. He also made figurative depictions; he refused to distinguish between these two schools of thought. Unlike, for example, the artists of De Stijl, Bendien used deliberately sensitive lines in his abstract work. Together with John Rädecker and several other artists, he proclaimed 'Absolute painting' in 1913. This stood for the creation of non-figurative, almost organic compositions with wavy surfaces in uniform colors, sharply separated from each other. These paintings represent 'inner things': they are inner life expressed in line and colour. Only a few sculptures are known of the artist. They are amorphous shapes that seem to be a 3-dimensional translation of his painted compositions.


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