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Theo van Rysselberghe artwork • painting • previously for sale Oliviers à Cagnes

Rysselberghe Th. van | Théodore 'Théo' van Rysselberghe, Oliviers à Cagnes, oil on canvas 89.9 x 116.7 cm, signed l.l. with monogram and painted circa 1905

Theo van Rysselberghe

Oliviers à Cagnes
oil on canvas 89.9 x 116.7 cm, signed l.l. with monogram and painted circa 1905

This painting was previously for sale.

Provenance: Kunsthandel Huinck & Scherjon n.v., Amsterdam, nr. 375. Kunsthandel Van Nieuwenhuijzen Segaar, Den Haag.
Literature: Ronald Feltkamp, 'Théo van Rysselberghe. Catalogue raisonné', Brussel 2003, pag. 359 cat.nr. 1906-022 (met afb.) en pag.104 (met afb. in kleur op pag. 105); tent.cat. Brussel, Paleis voor Schone Kunsten, 'Théo van Rysselberghe', afb. pag. 67 en pag. 259.
Exhibited: 'Théo van Rysselberghe', Brussel, Paleis voor Schone Kunsten, 10 febr.-21 mei 2006/Den Haag, Gemeentemuseum, 10 juni-24 sept. 2006. Najaarstentoonstelling 1998.

The Belgian painter Theo van Rysselberghe is regarded as one of the major Neo-Impressionists in the wake of Seurat. During a trip to Paris in 1886 as a young painter, he first saw Georges Seurat’s ‘La Grande Jatte', the painting regarded as the seminal work of Neo-Impressionism. He was so impressed by this that from that moment he too began to construct paintings from numerous small coloured dots. This produced a dreamy, transparent atmosphere, which lent itself exceptionally well to the coastal views and landscapes he painted. Van Rysselberghe was one of the few artists to adopt this technique to portraits, usually of family members and people he knew. Between 1897 and 1926 he devoted himself to painting a series of landscapes with bathers.


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