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Salomon Verveer artwork • painting • for sale The Merwede at Woudrichem with a paddle-boat and a ferry

Verveer S.L.  | 'Salomon' Leonardus Verveer | Paintings offered for sale | The Merwede at Woudrichem with a paddle-boat and a ferry, oil on canvas 76.0 x 102.3 cm, signed l.r. and dated '51
Verveer S.L.  | 'Salomon' Leonardus Verveer | Paintings offered for sale | The Merwede at Woudrichem with a paddle-boat and a ferry, oil on canvas 76.0 x 102.3 cm, signed l.r. and dated '51

Salomon Verveer

The Merwede at Woudrichem with a paddle-boat and a ferry
oil on canvas 76.0 x 102.3 cm, signed l.r. and dated '51

This painting is for sale.

Price: € 65,000

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    #Salomon Verveer #paintings#landscape #river landscape 
    Provenance: coll. J. Brinkhuyzen, 1862; veiling Frederik Muller & Cie., Amsterdam, 5-11 mei 1953, lot 444; Kunsthandel Pieter A. Scheen, Den Haag, 1953; coll. MEGA (NV Maatschappij voor Electriciteit en Gas), Limburg, 1994.
    Literature: tent.cat. Brussel, 'Salon', 1851, cat.nr. 1383 (als 'Le bateau à vapeur, près de la Haye'); J.G.A. Luthereau, 'Revue de l'exposition générale de Bruxelles', Brussel 1851, pag. 91; tent.cat. Londen, 'International Exhibition', 1862, cat.nr. 1336 (als 'Stopping the Steamer at Woudrichem'); J.A. van Eijk, 'De Wereldtentoonstelling te Londen in 1862', 'De Volksvlijt' 10 (1863) pag. 165; J. Gram, 'Salomon Leonardus Verveer', 'De Kunstkronijk' 17 (1876), pag. 92; tent.cat. Groningen, Pictura, 'Collectie Pieter A. Scheen', 1953, pag. 27, cat.nr. 37 (met afb.); tent.cat. Leiden, Stedelijk Museum De Lakenhal, 'Tussen Romantiek en Haagse School: Landschappen uit het midden van de vorige eeuw', 1953, pag. 20, cat.nr. 53; H.C. de Bruijn, 'Per veerpont van romantiek naar Haagse School', 'Antiek' 4 (1992) pag. 180, afb. pag. 82; John Sillevis e.a., 'Licht, lucht en water', Zwolle 1993, pag. 118-119 (met afb. in kleur); H.C. de Bruijn, 'De Oostpoort te Delft. Variaties op een favoriet motief. Schilderijen van Ch.H.J. Leickert en S.L. Verveer', 'Antiek' 6 (1997); Nelly de Zwaan, 'Nederland uit de kunst: 365 dagen kijken en lezen', Warnsveld 2005, 2 juli (met afb. in kleur); Christaan Lucht e.a., 'De gebroeders Verveer. Haagse meesters van de romantiek', Zutphen 2015, pag. 60 en pag. 63, afb. 43 (in kleur).
    Exhibited: Brussel, 'Salon', 1851; Londen, 'International Exhibition', 1862; Groningen, Pictura, 'Collectie Pieter A. Scheen', nov. 1953; Leiden, Stedelijk Museum De Lakenhal, 'Tussen Romantiek en Haagse School: Landschappen uit het midden van de vorige eeuw', 23 dec. 1953-25 jan. 1954; 's-Hertogenbosch, Noordbrabants Museum, 'Licht, lucht en water. De verloren idylle van het riviergezicht, 11 dec. 1993-10 april 1994; Amsterdam, Joods Historisch Museum, 'Haagse meesters van de romantiek. De gebroeders Verveer herontdekt', 3 juli-1 nov. 2015.

    Salomon Verveer lived and worked in The Hague and was, as a valued member of Pulchri Studio, one of the central figures of The Hague's artistic life. His oeuvre includes around 1840 mainly watery city and village views, which in their romantic atmosphere and bright colorite show influence of his young deceased friend W.J.J. Nuijen. Then he painted with a more natural light and without romantic motifs like ruins and reflecting rivers. His paintings were particularly popular among contemporaries, especially because of the lively staffage. That is why he also regularly decorated the city or seascapes of his Hague and Amsterdam painter friends. His most important pupil was Jan Weissenbruch.


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