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Winter Exhibition Kieskleurig

25 November 2023 until 6 Januari 2024

exhibition & catalogue

We proudly present you the catalogue & exhibition ‘Kieskleurig’. The selection has also appeared in a printed luxury catalogue, which you can view here in PDF form and of course also order via this page. The works are on display in our three galleries in Ede, where you are very welcome. We will welcome you with a cup of coffee and around four o’clock with a glass of Salentein. If you would like to view a specific work of art in privacy, make an appointment and we will hang it for you in a separate room.

Open: Tuesday to Saturday 11am to 5pm
open Sundays November 26 and December 10
and by appointment: 0318-652888 or info@simonisbuunk.nl

Frieda Hunziker | Donkere Golf (Dark wave), oil on canvas, 100.2 x 150.3 cm, painted in 1963

Frieda Hunziker

painting • previously for sale

Donkere Golf (Dark wave)

Jan van der Zee | Paterswoldsemeer, Groningen, on a windy day; on the reverse: Paterswoldsemeer in calm weather, oil on canvas, 54.0 x 56.0 cm, signed u.r. and dated '32

Jan van der Zee

painting • previously for sale

Paterswoldsemeer, Groningen, on a windy day; on the reverse: Paterswoldsemeer in calm weather

Willem Bodeman | Landscape with country folk and horses on a late summer day, oil on canvas, 67.2 x 54.6 cm, signed l.l. and dated 1832

Willem Bodeman

painting • for sale

Landscape with country folk and horses on a late summer day

Johan Dijkstra | Evolution du printemps, oil on canvas, 84.3 x 103.8 cm, signed l.l.

Johan Dijkstra

painting • for sale

Evolution du printemps

Marcel Cosson | After the ballet performance, oil on canvas, 50.2 x 61.0 cm, signed l.r.

Marcel Cosson

painting • for sale

After the ballet performance

Eugène Brands | Mating butterflies, gouache on paper, 49.2 x 31.1 cm, signed l.r. and dated '63

Eugène Brands

watercolour • drawing • previously for sale

Mating butterflies

Ferdinand Hart Nibbrig | Gleaner working the field, oil on canvas, 39.2 x 60.4 cm

Ferdinand Hart Nibbrig

painting • for sale

Gleaner working the field

Frederik Marinus Kruseman | Harvest month, August, oil on panel, 28.5 x 38.5 cm, signed l.r. and dated 1850

Frederik Marinus Kruseman

painting • previously for sale

Harvest month, August

Isaac Israels | Portrait of a young woman, oil on paper laid down on panel, 30.4 x 24.9 cm, signed l.r.

Isaac Israels

painting • previously for sale

Portrait of a young woman

Geer van Velde | Composition, oil on canvas, 38.0 x 60.6 cm, signed l.r. with initials and painted ca. 1944-1947

Geer van Velde

painting • for sale

Composition

Willy Sluiter | On the Scheveningen boulevard, in the morning, chalk and watercolour on board, 37.1 x 47.0 cm, signed l.r. and dated 'Scheveningen' 1930

Willy Sluiter

watercolour • drawing • for sale

On the Scheveningen boulevard, in the morning

George Martens | Flower still life with lemons, benzinerel and wax paint on canvas, 50.3 x 50.3 cm, signed u.r.

George Martens

painting • for sale

Flower still life with lemons

Marc Mulders | Parrot tulips, oil on canvas, 60.5 x 40.5 cm, signed l.r. with initials and on the reverse in full and dated on the reverse 25 04.02.

Marc Mulders

painting • for sale

Parrot tulips

Maria Vos | Still life with oysters, lemons and silver jug, oil on panel, 38.6 x 27.6 cm, signed l.b. and dated 1880

Maria Vos

painting • previously for sale

Still life with oysters, lemons and silver jug

Gé Röling | A table still life, oil on canvas, 99.5 x 150.6 cm, signed l.c.

Gé Röling

painting • for sale

A table still life

Auke de Vries | Model for a monumental sculpture in Zuiderpolder, Haarlem, painted metal, wood, spring, 70.2 cm, executed ca. 1994

Auke de Vries

statue • sculptuur • for sale

Model for a monumental sculpture in Zuiderpolder, Haarlem

The artwork by Auke de Vries for which this statue was the model, stands in the water of the middle part of the Zuiderpolder in Haarlem. The statue ‘leans’ in the opposite direction of the residential block (by the architect Koen van Velsen) and is placed diagonally in the water.  The primary school is across the street from the apartment building.

Unveiling of the artwork ‘De Vishaak’ in the presence of Auke de Vries and students from Zuiderpolder primary school © Rob Hendriks / UP De Boer

Bart van der Leck | Compositie (design for a carpet), gouache on paper, 13.5 x 16.5 cm, executed early 1930's

Bart van der Leck

watercolour • drawing • for sale

Compositie (design for a carpet)

Ferdinand Hart Nibbrig | Bulbfields in Bennebroek, oil on canvas, 51.1 x 71.3 cm, signed l.r.

Ferdinand Hart Nibbrig

painting • for sale

Bulbfields in Bennebroek

After completing his training at the academy in The Hague, Hendrik Valk started looking for his own style as a novice artist in the 1910s and 20s. Although he never joined a group or movement, his style is often associated with artists such as Theo van Doesburg, Bart van der Leck and Vilmos Huszár. Valk made sure he was aware of modern art views, but always continued to follow his own course. He thought it was important to represent the ‘essence’ of a work of art in a clear way. He starts painting and drawing rural life, such as farms and landscapes in the Stroe area, but increasingly distances himself from realism. His colors are already even and his images have sharp lines. In his search for the core of his subject, Valk sticks to his own experience of the artist as a ‘seer’ and avoids everything that can distract, such as the use of details. He increasingly abstracts his compositions into block shapes, whereby the parts remain recognizable: a figure remains a figure and he also continues to apply depth on the flat canvas, unlike Bart van der Leck and other artists of De Stijl. As a teacher of head and figure drawing and founder of the graphics department at the academy in Arnhem, Valk encouraged his students to develop their own style.

Hendrik Valk | The drawing class, oil on panel, 31.9 x 42.5 cm, signed l.r. with initials and dated '72

Hendrik Valk

painting • for sale

The drawing class

Petrus Gerardus Vertin | City scape, oil on canvas, 63.2 x 50.5 cm, signed l.r. and dated '73

Petrus Gerardus Vertin

painting • for sale

City scape

Johan Barthold Jongkind | Dutch village 'après Vertin', oil on panel, 18.9 x 24.1 cm, signed l.c. and dated 1888

Johan Barthold Jongkind

painting • for sale

Dutch village 'après Vertin'

Willem de Zwart | Violets and red nasturtiums, oil on panel, 13.1 x 15.2 cm, signed l.r. with initials

Willem de Zwart

painting • for sale

Violets and red nasturtiums

Frieda Hunziker | Composition, oil on canvas, 100.0 x 80.0 cm, signed on the stretcher and to be dated 1960

Frieda Hunziker

painting • for sale

Composition

Corneille | Untitled (from the Les aventures de Pinocchio series), gouache over silk screen print on paper, 68.1 x 98.7 cm, signed u.l. and dated '73-'75

Corneille

watercolour • drawing • for sale

Untitled (from the Les aventures de Pinocchio series)

In 1973, Corneille, together with his friend and editor Giorgio Cegna, produced a series about the adventures of Pinocchio. He spent a whole summer trying to translate the text of the well-known and beloved fairy tale into images. Corneille ‘mixed color and sweat together’ in the studios of the publishing house in Pollenza to finally show the series at the fifteenth Triennale in Milan’s city park. Together with Giorgio, Corneille decided to create a ‘colossal’ book that everyone could leaf through and that, because it was exhibited outdoors, had to withstand the Italian sun. Ultimately it was destroyed by students and Corneille thought that a set of twelve screen prints should be made. These were produced in black and white and then enhanced with gouache, making each screen print unique.

Fritz Carpentero | Before the circus performance, oil on canvas, 100.5 x 130.0 cm, signed l.l.

Fritz Carpentero

painting • for sale

Before the circus performance

Jules Bissier | Composition, tempera and oil on canvas, 19.7 x 28.0 cm, signed l.l. and dated 'Ascona' 27.febr.62.

Jules Bissier

painting • for sale

Composition

Jacobus van Looy | Red apples and pears, oil on panel, 37.0 x 26.7 cm, signed l.r. with initials

Jacobus van Looy

painting • for sale

Red apples and pears

Karel Appel | Untitled, acrylic on paper on canvas, 68.1 x 84.1 cm, signed l.l.

Karel Appel

painting • for sale

Untitled

Nowadays horses are mainly kept for hobby and sport, but in the past they were indispensable on the land for tillage and harvesting. The painter-musician Johan van Hell did something different in the 20th century than his romantic colleagues in the 19th century. Like a template, the horses are cut out, duplicated and placed in a triangle, removing any illusion of space. The horizon is reduced to a narrow ribbon. Van Hell was a socialist. He wanted to simplify his subjects so that every worker and illiterate could understand them.

Johan van Hell | Three grazing horses, oil on canvas, 60.5 x 80.5 cm, signed l.c. and dated 1926

Johan van Hell

painting • for sale

Three grazing horses

Lucebert | Composition with grotesque figure, mixed media on paper, 50.0 x 69.0 cm, signed l.l. and dated '89

Lucebert

watercolour • drawing • for sale

Composition with grotesque figure

Harrie Kuijten | Seated nude, oil on canvas, 53.0 x 40.7 cm, signed l.r.

Harrie Kuijten

painting • for sale

Seated nude

Lucebert | Untitled, gouache on paper laid down on board, 70.0 x 99.8 cm, signed l.l. and dated 91.III

Lucebert

watercolour • drawing • for sale

Untitled

Maurice Louis Tête | Quatorze Juillet, oil on canvas, 100.1 x 162.0 cm, signed l.r.

Maurice Louis Tête

painting • for sale

Quatorze Juillet

Jan van der Baan | The city hall of Groningen, 1959, oil on canvas, 50.4 x 70.1 cm, signed l.r. and dated '59

Jan van der Baan

painting • previously for sale

The city hall of Groningen, 1959

Theo Wolvecamp | Untitled, oil on canvas, 89.6 x 75.3 cm, signed on the reverse

Theo Wolvecamp

painting • for sale

Untitled

Jan Altink | Landscape with haymaking farmer, oil on canvas, 50.3 x 60.2 cm

Jan Altink

painting • for sale

Landscape with haymaking farmer

Jan Zoetelief Tromp | Picking flowers, oil on canvas, 64.8 x 98.7 cm, signed l.r.

Jan Zoetelief Tromp

painting • for sale

Picking flowers

Karel Appel | Postcard to Simon Vinkenoog, gouache on paper, 10.0 x 16.0 cm, signed l.r. and dated '65

Karel Appel

watercolour • drawing • for sale

Postcard to Simon Vinkenoog

Simon Vinkenoog (1928-2009) poet, writer and activist played a central role in the Amsterdam music and art scene of the 1960s. He was a great advocate of experimenting with mind-altering substances such as marijuana and LSD to achieve a higher state of consciousness . In his house on the Bloemgracht and later the Noordermarkt there must have been a coming and going of artists and musicians. In 1948, Vinkenoog left for Paris at the age of twenty to escape what he perceived as the suffocating Dutch atmosphere. There he met Karel Appel, Zadkine, Corneille and Hugo Claus and the photographer Ed van der Elsken. Vinkenoog lived in Paris for eight years, where he worked at UNESCO for seven years (from 1949 to 1956) and made his debut as a poet during that period. In 1961 he devoted himself entirely to writing. His promotion of the benefits of banned mind-altering substances causes confrontations. In February 1964 he was arrested and given a conditional sentence of 6 weeks for possessing 0.16 grams of marijuana. A second conviction took place in December 1964 and in March and April 1965 he was held in the House of Detention on Wolveplein in Utrecht for six weeks. During his stay there, he wrote the diary Tegen De Wet: six weeks in detention, including about his use of LSD in prison. His contacts with Karel Appel resulted in the publication Karel Appel. The story of Karel Appel: a test of perception in 1963 and in 1970 the catalog Appel’s Oogappels.

Simon Vinkenoog, Karel Appel and Machteld at Château de Molesmes, Frankrijk © Nico Koster / MAI

Jaap Wagemaker | Peinture Noire, mixed media on canvas, 93.7 x 59.0 cm, signed l.r. and dated on the reverse '56

Jaap Wagemaker

painting • for sale

Peinture Noire

Andreas Schelfhout | River view by moonlight, oil on panel, 32.5 x 45.9 cm, signed l.r. and dated '57

Andreas Schelfhout

painting • for sale

River view by moonlight

Louis Apol | A  view of Arnhem by winter, oil on canvas, 42.4 x 60.5 cm, signed l.l.

Louis Apol

painting • for sale

A view of Arnhem by winter

herman de vries | random objectivations (no V'74-106), plastic relief, 39.5 x 39.5 cm, signed on the reverse and to be dated 1974

herman de vries

painting • for sale

random objectivations (no V'74-106)

Herman Gouwe | Landscape at sunrise, oil on canvas, 79.8 x 99.5 cm, signed l.r. and dated 1914

Herman Gouwe

painting • for sale

Landscape at sunrise

Johannes Hermanus Koekkoek | Shipping off the coast, oil on canvas, 57.3 x 72.0 cm, signed l.r. and dated 1831

Johannes Hermanus Koekkoek

painting • for sale

Shipping off the coast

“Light and air, that is art! I can never bring enough light into my paintings, especially the skies… The sky in a painting, that’s one thing! One main thing! Air and light are the great magicians. The sky determines the painting. Painters can never look at the sky enough. We have to get it from the top.” – J.H. Weissenbruch, 1899

Jan Hendrik Weissenbruch | Fishing boats on the tide line, oil on canvas, 38.9 x 50.9 cm, signed l.l.

Jan Hendrik Weissenbruch

painting • for sale

Fishing boats on the tide line

Charles Leickert | Dutch village with drawbridge, oil on canvas, 77.9 x 114.4 cm, signed l.r. and dated '76

Charles Leickert

painting • for sale

Dutch village with drawbridge

Charles Leickert | Winterlandscape with skaters and windmill, oil on canvas, 77.8 x 115.1 cm, signed l.r.

Charles Leickert

painting • for sale

Winterlandscape with skaters and windmill

Jan Zoetelief Tromp | Picking flowers near Blaricum, oil on panel, 18.9 x 26.6 cm, signed l.l.

Jan Zoetelief Tromp

painting • for sale

Picking flowers near Blaricum

Jan Roëde | Untitled, oil on canvas laid down on board, 47.7 x 77.2 cm

Jan Roëde

painting • for sale

Untitled

Isaac Israels | Making up, pastel and watercolour on paper, 50.1 x 35.0 cm, signed l.r.

Isaac Israels

watercolour • drawing • for sale

Making up

Andreas Schelfhout | Eearly morning at the shipyard (only together with winter pendant), oil on panel, 25.4 x 32.8 cm, signed l.l.

Andreas Schelfhout

painting • for sale

Eearly morning at the shipyard (only together with winter pendant)

Andreas Schelfhout | Winter landscape with approaching blizzard (only together with summer pendant), oil on panel, 25.8 x 32.5 cm, signed l.l.

Andreas Schelfhout

painting • for sale

Winter landscape with approaching blizzard (only together with summer pendant)

Jaap ter Haar | Dutch villages on a canal, oil on panel, 30.2 x 180.2 cm, signed l.r.

Jaap ter Haar

painting • for sale

Dutch villages on a canal

Willem Roelofs | River landscape with drinking cows, oil on canvas, 69.1 x 106.9 cm, signed l.l.

Willem Roelofs

painting • for sale

River landscape with drinking cows

Jan Voerman sr. | A view of the river IJssel with Kampen in the distance, oil on panel, 42.4 x 52.0 cm, signed l.r.

Jan Voerman sr.

painting • for sale

A view of the river IJssel with Kampen in the distance

Co Breman | Haystacks, oil on canvas, 20.2 x 36.5 cm, signed l.r. with initials and dated 1901

Co Breman

painting • for sale

Haystacks

Jannes de Vries | Farmyard with hay shards, oil on canvas, 60.4 x 70.8 cm, signed on the reverse with monogram

Jannes de Vries

painting • previously for sale

Farmyard with hay shards

Wim Bosma | Airport Schiphol with the KLM Douglas DC-3 'Ibis', chalk and gouache on cardboard, 54.4 x 62.0 cm, signed l.l. and executed late 30s

Wim Bosma

watercolour • drawing • previously for sale

Airport Schiphol with the KLM Douglas DC-3 'Ibis'

As a painter in the 1930s, Wim Bosma was strongly attracted to the ‘wonders’ of modern technology. He liked to paint and watercolor things such as railway viaducts, trains, boats and flying machines in a new businesslike, realistic style. After 1945, in addition to technical subjects, other motifs also entered his work. Here Bosma painted the Ibis: the first KLM aircraft of the Douglas DC-3 type, which was delivered to KLM on September 21, 1936. The Ibis was used until 1940 on the first official scheduled service to Le Bourget near Paris and on the Amsterdam-Batavia route. In July 1940, the aircraft, which was then deployed on the Amsterdam-Shoreham scheduled service, was unable to return to the Netherlands due to the German invasion. Together with other KLM aircraft that had emigrated to England, the Ibis was deployed on the civil passenger service Bristol-Lisbon. The Ibis, the only one on this scheduled service, was attacked three times by German fighter pilots within seven months. During the first two attacks, all occupants were unharmed, despite heavy damage to the aircraft. But during the final attack, on June 1, 1943, the plane disappeared as BOAC Flight 777, with thirteen passengers and four crew members on board, in the Bay of Biscay.

Emil Nolde | Veiltails (Aquarium), watercolour on Japanese paper, 35.8 x 47.0 cm, signed l.l. and executed in 'Berlin' 1923-1924

Emil Nolde

watercolour • drawing • for sale

Veiltails (Aquarium)

Johan Dijkstra | Red flowers, oil on canvas, 36.0 x 35.8 cm, signed on the stretcher

Johan Dijkstra

painting • for sale

Red flowers

Sal Meijer | Farm, Blaricum, oil on panel, 51.0 x 41.1 cm, signed l.r. and l.l. (traces of signature)

Sal Meijer

painting • for sale

Farm, Blaricum

Jan Voerman sr. | Marsh-marigolds in a ginger jar, watercolour on paper, 25.0 x 20.5 cm, painted in the 1890s

Jan Voerman sr.

watercolour • drawing • previously for sale

Marsh-marigolds in a ginger jar

Philip Sadée | Return of the fishing fleet, oil on canvas, 72.5 x 102.3 cm, signed l.r. and dated 1903

Philip Sadée

painting • for sale

Return of the fishing fleet

Hendrik Willem Mesdag | Returning from the fishing grounds, oil on canvas, 50.7 x 40.0 cm, signed l.r. and dated 190(..)

Hendrik Willem Mesdag

painting • for sale

Returning from the fishing grounds

Herman Bieling | A coloured little something, oil on canvas, 46.2 x 53.5 cm, signed l.l.

Herman Bieling

painting • for sale

A coloured little something

Karel Appel | Untitled, acrylic on paper on canvas, 111.9 x 77.1 cm, signed l.r.

Karel Appel

painting • for sale

Untitled

Frans Lebret | Milking time on the farm, oil on panel, 52.3 x 70.8 cm, signed l.r. with initials

Frans Lebret

painting • for sale

Milking time on the farm

Jan Hendrik Weissenbruch | Windmills along polder canal near Noorden, oil on canvas laid down on panel, 23.0 x 43.1 cm, signed l.r.

Jan Hendrik Weissenbruch

painting • for sale

Windmills along polder canal near Noorden

Frans Lebret and Jan Hendrik Weissenbruch are contemporaries. They were both born in the 1920s, the heyday of romanticism. Painters explored nature, capturing it in sketches and later developing it in the studio into finely painted, idealized representations. Lebret went out at an early age to study the landscape, and especially the cattle, around Dordrecht. His specialty would always remain the depiction of animals, especially sheep, ‘who so attracted him to the mobility of their fur’. His style is therefore rooted in the Dordrecht Pictura tradition, in which the Van Strij brothers played a leading role around 1800. weather. Gradually, working in the open air, his compositions become more sober, his color palette more subdued and we see the typical, bright ‘Weissenbruch light’ appear more and more. For Weissenbruch, light and air were the most decisive in a painting and were his early guideline for depicting atmosphere and space in a landscape. He would deal with this theme throughout his entire painting life. Major differences can be seen in the landscapes of these two contemporaries. In Lebret’s case the attention is drawn to a shepherd and his cattle in the foreground. In the middle plan a grove and country house, along which the view continues to slide to the panorama in the background with a mill on the horizon. In Weissenbruch’s painting, the viewer’s eye is immediately drawn along the canal to the mill in the central background and the horizon is much higher than in Lebret’s landscape. In doing so, Weissenbruch gives his own impressionistic interpretation of the mood he experienced at that moment in the middle of nature, while Lebret (still) opts for the traditional portrayal of an idealized landscape according to a preconceived plan. After 1850, people broke away from academic traditions and looked at the landscape with ‘new’ eyes. Following the Barbizon school, Lebret changed the romantic image of the landscape into a more realistic representation in the mid-19th century. But that’s it. While Lebret prepared the way for younger painters who wanted to work in the wild around 1880, following the example of the Hague School, he himself hardly or never followed that path. His contemporary Weissenbruch did. He gave impressions of mood and atmosphere, seasons and moments of the day in nature in increasingly rapid, spontaneous brushstrokes.

Johan Hendrik van Mastenbroek | Grain elevators at work in the harbour, Rotterdam, oil on canvas, 84.1 x 130.5 cm, signed l.r. and dated 1913

Johan Hendrik van Mastenbroek

painting • for sale

Grain elevators at work in the harbour, Rotterdam

Hermanus Koekkoek | Ships anchored off the coast in calm weather, oil on canvas, 102.5 x 160.0 cm, signed l.r. and dated 1841

Hermanus Koekkoek

painting • for sale

Ships anchored off the coast in calm weather

Ben Walrecht | The Steenstilbridge, Groningen, oil on canvas, 50.5 x 40.4 cm, signed on the stretcher and to be dated 1938

Ben Walrecht

painting • previously for sale

The Steenstilbridge, Groningen

Willem Bastiaan Tholen | Carriage in a snowy street in Voorburg, oil on canvas laid down on panel, 64.1 x 56.3 cm, signed l.r. and executed ca. 1889

Willem Bastiaan Tholen

painting • for sale

Carriage in a snowy street in Voorburg

Leo Gestel | Man and woman with a horseman in the background, gouache on paper, 37.2 x 27.0 cm, signed l.l. and dated 1928

Leo Gestel

watercolour • drawing • previously for sale

Man and woman with a horseman in the background

Pieter de Goeje | The Sabelspoort in Arnhem, seen from the Rhine, on the left the fish market, oil on panel, 23.4 x 31.2 cm, signed l.r. and painted ca. 1848

Pieter de Goeje

painting • for sale

The Sabelspoort in Arnhem, seen from the Rhine, on the left the fish market

“Nature is the most perfect painting, therefore we must make as many studies of it as possible […] in nature we cannot err: everything in it is true! And the truth must always be a sacred duty for the artist. If he studies nature restlessly and intelligently, he will make the viewer believe a pleasant lie on the canvas or panel in his workshop.” – B.C. Koekkoek, 1841

Barend Cornelis Koekkoek | Forest view with cattle, oil on panel, 69.1 x 90.2 cm, signed l.r. and dated 1853

Barend Cornelis Koekkoek

painting • for sale

Forest view with cattle

Rien Poortvliet | Young deer in the snow, oil on panel, 50.2 x 70.2 cm, signed l.r.

Rien Poortvliet

painting • previously for sale

Young deer in the snow

Jaap Wagemaker | Composition, oil and sand on canvas, 76.2 x 100.6 cm, signed l.r. and on the stretcher and dated '56

Jaap Wagemaker

painting • for sale

Composition

“A roe deer is not a deer, a roe deer is not a young deer and does not become a deer later when it grows up. The deer is slightly higher at the back: it is designed to move “sneak-by-creep” in bushy cover.” – Rien Poortvliet, …the foxes have holes, 1973

Nicolaas Roosenboom | Steam train in a panoramic landscape, oil on panel, 13.7 x 15.8 cm, signed l.l.

Nicolaas Roosenboom

painting • for sale

Steam train in a panoramic landscape

Jan Roëde | Night train, oil on canvas, 46.7 x 55.5 cm, signed l.r. and dated '66

Jan Roëde

painting • for sale

Night train

Jan Hendrik Weissenbruch | Farm on the canal, oil on panel, 16.0 x 22.5 cm, signed l.r. and dated '73

Jan Hendrik Weissenbruch

painting • for sale

Farm on the canal

Johan Dijkstra | Near Maarhuizen, Groningen, oil on canvas, 60.3 x 100.3 cm, signed l.l.

Johan Dijkstra

painting • for sale

Near Maarhuizen, Groningen

Armando | Blau (Blue), oil on canvas, 79.9 x 60.0 cm, signed on the reverse and dated on the reverse 12-9-11

Armando

painting • for sale

Blau (Blue)

Paul Mathieu | Boulevard in Sainte-Adresse, France, oil on panel, 39.7 x 55.0 cm, signed l.r. and dated '16

Paul Mathieu

painting • for sale

Boulevard in Sainte-Adresse, France

Jaap Wagemaker | Spaanse aarde (Spanish earth), mixed media on canvas, 65.3 x 55.5 cm, signed l.r. and dated '56

Jaap Wagemaker

painting • for sale

Spaanse aarde (Spanish earth)

Willy Sluiter | Winter sports in St. Moritz, black chalk and watercolour on paper, 31.2 x 25.1 cm, signed l.l. and dated on the reverse 1928

Willy Sluiter

watercolour • drawing • previously for sale

Winter sports in St. Moritz

Harrie Kuijten | At Camperduin, oil on canvas, 50.9 x 66.2 cm, signed l.r.

Harrie Kuijten

painting • for sale

At Camperduin

Corneille | La Grande Baigneuse, chalk and gouache on paper, 22.9 x 29.7 cm, signed l.l. and dated '63

Corneille

watercolour • drawing • for sale

La Grande Baigneuse

Corneille | Woman, cat and birds, lithograph on paper, 45.0 x 33.0 cm, signed l.r. (in potlood) and dated '95 (in potlood)

Corneille

prints & multiples • for sale

Woman, cat and birds

Sorella | Cat Woollha, oil on painter's board, 59.2 x 71.2 cm, signed l.l.

Sorella

painting • for sale

Cat Woollha

Anton Rooskens | Flower still life, oil on canvas, 60.0 x 50.6 cm, signed l.l.

Anton Rooskens

painting • previously for sale

Flower still life

Adriana Haanen | Mixed flowers in basket with urn in background on stone ledge, oil on canvas, 73.5 x 53.7 cm, signed l.c. and dated 1857

Adriana Haanen

painting • previously for sale

Mixed flowers in basket with urn in background on stone ledge

Andreas Schelfhout | Forest landscape with figures by a river (pendant of winter landscape), oil on panel, 52.8 x 72.5 cm, signed l.l. and painted circa 1815

Andreas Schelfhout

painting • for sale

Forest landscape with figures by a river (pendant of winter landscape)

Andreas Schelfhout | Gathering wood in winter (pendant of Summer landscape), oil on panel, 53.0 x 72.6 cm, signed l.r. (with traces of signature) and painted circa 1815

Andreas Schelfhout

painting • for sale

Gathering wood in winter (pendant of Summer landscape)

We sold both of these paintings in 1999 to a good customer who had owned them for a long time. Now they are back with us. It was a pleasant reunion, because how we came into possession of these two counterparts is an interesting story. In 1987, Frank Buunk discovered early winter at an auction. He immediately saw that it was a Schelfhout, although the work had been attributed to another artist. So we started working on finding points of contact with Schelfhout for the final attribution. After purchasing and looking at Schelfhout the next day. The ‘new couple’ was photographed extensively. The next day the customer called. He could not buy the winter due to space constraints, but very graciously offered us his summer for sale. The case was settled within a minute. In the meantime, we, with the paintings at hand, have told the story to many people. And the still unframed panels were moved so often that some varnish damage occurred on the winter varnish. The varnish, with some good old retouches, would be because of the collection of the work. Frank remembered an early summer forest scene of Schelfhout, which we restored for a customer ten years earlier. In this painting the focus of the composition was on the left, while our winter had the focus on the right. And guess what? The sizes of both works were virtually the same, the horizon lines merged and both were painted on panel. Could they have been counterparts? We told the story to the owner of the summer. Intrigued, he came with his wife and his summer landscape of scratches had to be removed. So it happened. But what was our surprise when remains of Schelfhout’s signature emerged at the bottom right. The bottom of the signature was completely mutilated. However, the top half was still more or less intact, and if one knew it one could clearly read: A…lfh.ut F[ecit]. The two Schelfhouts found their way to a private collector where they hung inseparably next to each other in identical frames for years. Until they recently came back to us.

Jan Weissenbruch | A walk in a sunny city, oil on panel, 19.0 x 14.9 cm, signed l.r.

Jan Weissenbruch

painting • for sale

A walk in a sunny city

Cornelis Springer | Man and woman in church interior, oil on canvas, 32.9 x 27.3 cm, signed l.l. with monogram and dated '44

Cornelis Springer

painting • for sale

Man and woman in church interior

August Andreas Jerndorff | A gondola in front of the Doge's Palace in Venice, at night, oil on canvas, 41.0 x 33.0 cm, signed l.l. with monogram and dated 1886

August Andreas Jerndorff

painting • for sale

A gondola in front of the Doge's Palace in Venice, at night

Herman Heijenbrock | Harbour of IJmuiden at dusk with the lighthouse and semaphore, pastel on paper, 64.5 x 86.5 cm, signed l.l.

Herman Heijenbrock

watercolour • drawing • for sale

Harbour of IJmuiden at dusk with the lighthouse and semaphore

Arnold Marc Gorter | The Vordense Beek in winter, oil on canvas, 114.9 x 154.7 cm, signed l.r. (twice)

Arnold Marc Gorter

painting • for sale

The Vordense Beek in winter

Arnold Marc Gorter | Spring landscape with a farm, oil on canvas, 62.6 x 79.4 cm, signed l.r.

Arnold Marc Gorter

painting • for sale

Spring landscape with a farm

Gerardine van de Sande Bakhuyzen | Still life with prunes on a forest soil, oil on canvas, 39.4 x 61.8 cm, signed l.l.

Gerardine van de Sande Bakhuyzen

painting • for sale

Still life with prunes on a forest soil

Jan van Os | Flower still life with fruit, a mouse and a bird's nest, oil on panel, 69.7 x 55.1 cm, signed l.l. and dated 1774

Jan van Os

painting • for sale

Flower still life with fruit, a mouse and a bird's nest

Louis Apol | A snowy river view with moored sailing barges, oil on canvas, 58.6 x 90.3 cm, signed l.r. and dated 1928

Louis Apol

painting • for sale

A snowy river view with moored sailing barges

Willem Roelofs | The 't Hoog- en Groenland mill, Baambrugge, oil on canvas, 46.9 x 72.9 cm, signed l.r.

Willem Roelofs

painting • for sale

The 't Hoog- en Groenland mill, Baambrugge

Barend Cornelis Koekkoek | Skaters in a winter landscape, oil on panel, 15.5 x 19.5 cm, signed l.c. with initials and painted  jaren '30

Barend Cornelis Koekkoek

painting • for sale

Skaters in a winter landscape

Barend Cornelis Koekkoek | River valley in summer, oil on canvas, 46.5 x 58.5 cm, signed l.r. and painted ca. 1828

Barend Cornelis Koekkoek

painting • for sale

River valley in summer

Hermanus Koekkoek | Sailing and fishing boats off a jetty, oil on canvas, 38.3 x 54.5 cm, signed l.l. and dated 1858

Hermanus Koekkoek

painting • for sale

Sailing and fishing boats off a jetty

Wim Bosma | On the lookout, oil on panel, 55.1 x 37.9 cm, signed l.l. and dated 1936

Wim Bosma

painting • for sale

On the lookout

Andreas Schelfhout | The Hague garrison at the Waalsdorpervlakte, oil on panel, 22.1 x 29.2 cm, signed l.r. and painted ca. 1862

Andreas Schelfhout

painting • for sale

The Hague garrison at the Waalsdorpervlakte

Johan Antoni de Jonge | Riders in the dunes, watercolour on paper, 24.0 x 65.1 cm, signed l.l. with monogram

Johan Antoni de Jonge

watercolour • drawing • previously for sale

Riders in the dunes

Jits Bakker | Wild Horses, bronze, 48.0 x 150.0 cm, signed on the base and executed 1978

Jits Bakker

statue • sculptuur • for sale

Wild Horses

Jan Mankes | Vanitas still life, oil on canvas laid down on board, 26.7 x 40.6 cm, signed l.l. with monogram and te dateren 1917

Jan Mankes

painting • for sale

Vanitas still life

Jan Bogaerts | Still life with bible and a vase with straw flowers, oil on canvas, 35.5 x 40.5 cm, signed u.r. and dated 1942

Jan Bogaerts

painting • for sale

Still life with bible and a vase with straw flowers

Adriaan Lubbers | Flower still life in earthenware vase, oil on canvas, 60.0 x 50.3 cm, signed l.r. and dated 1946

Adriaan Lubbers

painting • for sale

Flower still life in earthenware vase

Vilmos Huszár | Farm at Almen, the Netherlands, oil on canvas laid down on panel, 38.1 x 50.9 cm, signed l.r. and dated 1911 VIII

Vilmos Huszár

painting • for sale

Farm at Almen, the Netherlands

Privat Livemont | At the exhibition: lady with a blue hat and a dog, oil on board, 33.1 x 24.0 cm, signed l.c. and dated  'le 1 Aout' 1908

Privat Livemont

painting • for sale

At the exhibition: lady with a blue hat and a dog

Eye to eye everything is even more beautiful. Welcome to Kieskleurig in Ede.

The works are on display in our three galleries in Ede, where you are very welcome. We will welcome you with a cup of coffee and around four o’clock with a glass of Salentein.

If you would like to view a specific work of art in privacy, make an appointment and and you will be able to view the piece of art in a separate room.

Open: Tuesday to Saturday 11am to 5pm

open Sundays November 26 and December 10 and by appointment: 0318-652888 or info@simonisbuunk.nl